(Vol.31 .Nos.7 & 9, Vol.38 No.7, WWW), Graham Engineering Phantom Elite 9": $13,000$14,000 depending on length. (Vol.33 No.2), StylusTimer: $19.95 (Vol.23 No.11), Merrill G.E.M. (Vol.45 No.1 WWW), Phasemation PP-2000: $6999 All manner of sonic enhancements are claimed, and indeed, RD came away from his PHT experience saying that "soundstages were deeper and wider, aural images more precise, dynamics more startling." In his original review, MF praised the Fuuga's neutral tonal balance, lack of harshness/hardness, and "startling macrodynamic slam." could be why higher female voices sounded so pure and naturally toned." Its two-piece titanium body is made in the US, where it's machined and treated with a Tiodize Type III coating that gives the Teatro its distinctive green finish. A less expensive alternative to the Graham Phantom Elite, the new Phantom III improves on its predecessor, the Phantom II, with a titanium arm wand, a more massive bearing housing, and, inside that housing, wiring that's claimed to produce less physical resistance as the arm moves. Herb Reichert wrote about the Hana SL almost immediately after reviewing a slew of $5000+ cartridges, and observed that switching to the $750 Hana "did not feel like a depressing step down." of Nordost Valhalla 2 AC power cord. Specs for the Rosewood Standard include an output of 0.45mV, an impedance of 5 ohms, and a recommended downforce of 1.82gm. Although phono preamps that work on the current-amplification (as opposed to voltage-amplification) principle still account for a small minority of the market, that technology took a step forward in 2019 with the Sutherland Engineering Little Loco, itself a less expensive version of the company's recent Phono Loco. (Vol.42 No.3), Ortofon CG 25DI mono pickup head: $902 $$$ The Madake Snakewood has an output of 0.23mV, a suggested downforce of 2.5gm, and a low-compliance suspension. Used with Rega's flagship RP10 turntable and companion RB2000 tonearm (see elsewhere in Recommended Components), the Aphelion provided a quality of playback that was "seat-of-the-pants exciting," but was also lacking in warmth. The Giro G9 is an AMG Giro turntable bundled with the same company's 9W2 tonearm (see elsewhere in Recommended Components). With its standard wall-wart power supply, the Phonomena II+ Provided HR with sound that was "sweet, natural, rhythmic, and dead quiet." The turntable comprises a 1.75"-thick Delrin platter whose bearing is mounted on a circular aluminum plinth, itself 1.5" thick. . (Vol.44 No.2 WWW), Tedeska DST201ua: 5600 (approx $6370) He concluded that when used with the HCVC01, the CO Mk.II offered "absolutely honest spectral balance and remarkable imaging solidity and stability, combined with "textural delicacy." (Vol.41 No.10), Schick 12" Tonearm: $1995 I feel the same when went to the auditing room of a store to audit, that the bass response of LS 50 Meta is lacking compare to R3, feels more tin-ish to me. HR's closing thoughts: "I could dream away my sunset years listening only with the Etsuro Urushi Cobalt Blue: It does everything I desire." As the stylus moves through the record grooves, the cantilever and shading plate move and varying amounts of light reach the photodetector, which generates an electric current in proportion to the amount of light it receives. Air Tight PC-1 Coda: $10,000 Manufactured for Air Tight by Yoshio Matsudaira of My Sonic Lab, the PC-1 Coda MC cartridge has a very low ); RD liked the black one best. Nonetheless, it "blackened backgrounds, solidified images, and made them 'pop' in three dimensions." WebIn addition, RB330 touts a low-capacitance phono cable with Neutrik plugs and a 100g mild steel balance weight for optimal precision. The first cartridges from Kuzma are the moving-coil CAR-50 and CAR-60, both of which have a chunky machined-aluminum body with a brass coupling plate machined with three pairs of threaded mounting holes; the CAR-50's MicroRidge stylus is fitted to a sapphire cantilever, while the CAR-60's cantilever is made of diamond. After using it with a TechDAS Air Force III turntable, which Graham distributes, MF wrote that "it was immediately clear that the Phantom III's bass reproduction was far more robust and controlled than that of the Phantom II Supreme that I owned." The Synergy offers 33.3, 45, and 78rpm, all microfine-adjustable via the 'table's outboard power supply. The shortest tonearm in VPI's JMW line, the JMW 9 uses a reverse-missionary unipivot bearing with a hardened tungsten-carbide point and a machined and hardened-steel setscrew for a cup. Just curious what to expect. Weight: 6.5 g Output voltage: 1kHz, 5cm/sec: 4mV Frequency response: 20 Hz 23 kHz Channel balance: 1kHz: > 1.5 dB Channel separation: 1kHz: > 25 dB Recommended loading: 47k ohms (Vol.42 No.7 WWW), Palmer Audio 2.5i: $11,895 in Baltic Birch without tonearm Cherry finish: $11,495 The Teatro's generator, which has separate coil assemblies for each channelas opposed to having both channels' coils wound on a common formeris made in Japan. Since 1972, Linn has devised and offered for their belt-drive, suspended-subchassis flagship all manner of upgrades; commendably, all have been retrofittable.
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Improvements, in the interim, to his system and a better listening room left JCA "better prepared to hear and describe" the Xpression, which he now believes is "clearly and significantly better" than his own Ortofon 90th Anniversary SPU, with "less SPU-ish coloration" and "none of the attenuation of high frequencies that I [hear] from classic SPUs, but no extra tizz, either." . Performance with the stock spherical stylus tip squeaks into low Class B, he adds, saying that, "apart from various Miyajimas and the always-recommendable Miyabi 47, it's hard for me to think of another standard (non-pickup-head) type of cartridge that has this much impact and drama." The low-compliance Fuuga retains the semicylindrical body of the best-known Miyabi models but exchanges their trademark alnico magnets for neodymium types. As AD said at the end, "As they say in New Jersey, what's not to like?" I don't know whether anyone has noticed or not, but the header of PS Audio DirectStream Power Plant is hiding next to "See Interconnects." After using the MasterTracker with MoFi's UltraDeck record player, HR wrote that he had "never ever experienced such vitality and sharp focus from an MM cartridge," and that, "more surprisingly, this sharp focus did not come from lean, dry, or overdamped sound. A lot has happened since VPI introduced its $30,000 Classic Direct direct-drive turntable, the high price of which was determined in part by its high-tech ThinGap motor, which reportedly cost the manufacturer $4000 apiece. Its build quality and engineering make it worthy of placement in that category even if the sonic performance is a notch below the absolute best." Its three-phase, eight-pole motor uses an electronic controller to achieve precise speeds of 33.3, 45, and 78rpm. Partnered with the budget-priced Audio-Technica AT-PEQ3 phono preamp, the "ridiculously good" Ortofon 2M Black produced a bright, open sound with "surprising heft and slam." and the best-built arm I have owned." "Competes with cartridges at double its price. Although equipped with the usual two pairs of output pins, the Epoch Mono has only one pair of coils (the stereo version has two pairs), configured to respond to only the horizontal modulations of a single-channel groove. As MF observed, "For all intents and purposes, the Madake is a Miyajima Kansui fitted with a mostly bamboo cantilever"madake being the Japanese word for bamboo, and mostly referring to the fact that there's aluminum in there, too. The result is the most neutral-sounding Miyajima cartridge to date." Compared with the original Helix, which MF reviewed in Vol.40 No.3, the Helix One Mk2 has been redesigned, and it now incorporates Dhmann's Minus K negative-stiffness isolation base. (Vol.34 Nos.5 & 9 WWW), Etsuro Urushi Cobalt Blue: $5750 WebStereophile Recommended Component 2010, 2011, 2012, 2013, 2014, 2015 Denon DL-A100 (DL-103 Reference) phono cartridge 0.3mV Code: DENONDLA100 $530.00 Product Info DENON 100TH ANNIVERSARY DL-A100 (DLA100_) PHONO CARTRIDGE - LOW OUTPUT MOVING COIL DL-103 (DL103) REFERENCE - Stereophile Recommended Component PS Audio's Stellar Phono offers separate pairs of (RCA) input jacks for MM and MC cartridges and a choice of single-ended and balanced outputs.
But the sound's the thing, and in that regard, AD feels that Edmund W. Mortimer's timeless high-torque turntable design remains the surest way to retrieve all of the touch, force, color, and momentum locked in the groove. This large-handled brush has soft bristles of both natural hairs and conductive synthetic fibers, and makes dusting LPs nearly foolproof. He also heard from the Epoch "a harmonic and textural richness laid on without too thick a coating of aural honey." Nominally, the Koetsu Rosewood Mono has nothing up its sleeve: It is, indeed, a Koetsu Rosewood cartridgean enduringly popular moving-coil model and surely among the very first wood-bodied cartridges to cross our pathand it is, indeed, intended for use only with monophonic records. He also described the player's sound as "serenity-inducing . Besides subtle changes in magnet material and coil-winding techniques, the latest iteration of Dynavector's classic moving-coil design has threaded mounting holes for simple installation and alignment. Stylus treatment designed to reduce friction between groove and phono cartridge. All of the old model's strengths are here, but with an increase in detail."
The SPU Wood A offers tremendous bang for the buck. Used with the Palmer Audio 2.5 turntable, the PU7 contributed to a notably velvety sound with a bottom end that was "well controlled and extended," according to MF, who cautioned that "images were of less-than-pinpoint accuracy and somewhat larger than life." Available directly from www.twinaudiovideo.com. Auditorium 23 Hommage T1 & Hommage T2: both $4995 Auditioned the KEF R3s, Polk Legend L200s and the KEF LS 50 Metas a few days ago with 5 tracks of my choosing and thus far my rank ordering of these speakers is as noted. Acoustic Signature Ascona Mk.2, Analogueworks TT-Zero, Brinkmann Bardo, Pear Audio Blue Kid Thomas, VPI HRX not auditioned in a long time. (Vol.43 No.7 WWW), Lamm Industries LP2.1 Deluxe: $13,390 Thomas Schick has now added to his line a proprietary headshell ($295) machined from resin-soaked "technical" graphite, with a mass (15.2gm) that makes it more suitable than most for use with cartridges of low to moderate compliance. (Vol.30 No.10 WWW), Reed 5T: $21,500 The MusiKraft shell is machined in such a way that its two pieces, when assembled, tightly clamp the Denon cartridge's top plate; each shell is predrilled with five sets of tapped mounting holes, thus making cartridge mounting and alignment easier than ever. A MusiKraft Denon with a polished aluminum-lithium shell ($1689) impressed AD all to hell and back: The MusiKraft lacked "the slight treble glare" associated with his stock Denon 103, and provided "pitches and pitch relationships [that] were steadily, solidly right," and "vocal textures and tones with real meat and color." (Vol.41 No.10), EMT TSD 15: $1950 $$$ In production since 1962, the DL-103 is a resolutely old-fashioned cartridge with a two-piece plastic body. The Hegel (discontinued) was 5k. For the Mk.II version, the basic formula remainsZu strips away the Denon's plastic housing and repackages its motor and output-pin block in a precision-machined aluminum bodybut here the body has been reshaped to make better contact with the motor and better resist the buildup of sound-sullying resonances. The Omni was "so easy to useso pleasant to usethat the prospect of cleaning LPs became a happy one." (Vol.43 No.1), Analogueworks TT-Zero: $1695 (with blank armboard) At the business end of the Hana's aluminum cantilever is a Shibata styluscause, HR says, for the user to give "more-than-usual care" to cartridge alignment and downforce and antiskating settingsand deep in the Hana SL's plastic-bodied heart is an alnico magnet, to which Herb attributes the cartridge's timbral realism and ability to make "singers and instruments sound denser and more real." (Vol.31 No.7, Vol.34 No.12, Vol.40 No.2 WWW), Ortofon 2M Red: $99 $$$ Setting aside matters of performance and appearance, the most distinctive thing about the Miyajima Saboten moving-coil cartridge is its cactus-spine cantilever (saboten is the Japanese word for cactus), the business end of which is capped with an aluminum ferrule fitted with an elliptical stylus. (Vol.42 No.4), Zesto Audio Andros Tssera: $12,000 "The easily noticed character was disconcerting," he wrote, but was minimized when he used the X-quisite with the matching SUT X-20 step-up transformer. Package includes a plastic vat, two brushes, two rollers, a 4-oz bottle of concentrated cleaning fluid, and washable drying cloths.
In production since 1962, the DL-103 is a resolutely old-fashioned cartridge with a two-piece plastic body. Whether that makes the Onyx Platinum the pivotal model in Koetsu's line is anyone's guessbut AD was smitten by its abilities to let music sound colorful, forceful, well textured, and downright human when called for. Whereas most moving coil cartridges have their stylus at one end of a cantilever and their coils, wound on tiny coil formers, at the other, the Tzar DSTlike the vintage Neumann DST 62 cartridge on which it's modeledsays to hell with the formers: Its coils are glued right to the cantilever just behind the stylus. So there you go. (Vol.41 No.11, Vol.42 No.2), Acoustic Signature TA-9000: $23,995 (Bergmann claims for the Odin an effective mass of 14gm.) MF found the Verismo's sound "fast," with sharp, finely drawn high-frequency transients yet with a lush and generous midrange and a tight, nimble, well-controlled bottom end"knit together into a coherent sonic package." Output and impedance are both low0.35mV and 2.5 ohms, respectivelyand the hyperelliptical stylus tracks at 2.02.2gm. Construction quality is first rate, top-shelf parts are used throughout, and the stout, heavy case is beautifully finished. While it couldn't quite match the bottom-octave punch, definition, and extension of the Pass Labs XP-25, the Ypsilon produced a more transparent, silky, airy overall sound, said MF. The 200s were every bit as good as the R3s EXCEPT in the vocals. There are maybe half a dozen newish models. He added that even with its elliptical stylus, this optical cartridge was fast and remarkably transparent. Internal switches allow MC gain to be adjusted to 56, 64, 70, or 73dB; MM gains are all 23dB lower. .
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